“Look at our shed…” My mate’s kids gasped in awe at what was, so far as I could tell, ordinary B&Q output complete with patchy woodstain and a sun-wrinkled mantle of roofing felt. Nothing about it suggested majesty or opulence yet they seemed entranced.
“Erm…it’s a shed,” I said eventually, slightly nonplussed.
“But do you know who once owned it?” Their dad intoned slyly.
That got me going. I mean, perhaps Ernest Shackleton lost his historic race with Roald Amundsen through single-handedly lugging this very shed across Antarctica. Or maybe Sir Francis Chichester completed some little-publicised circumnavigation in it with a sail rigged on top.
Nope – it seemed the shed once belonged to (or rather the gardener of) the great Enrico Wankspanner, centre-fly-half-striker-defender for Tottenarse United. I couldn’t believe it. Before me were children brainwashed to worship a garden shed because some imported, ball-chasing numbskull bought somewhere to park his Ferraris and the gardener needed a bigger hut!
It’s one thing to be bedazzled by Enrico himself, but his garden shed?
People often assume I’m a Campbell aficionado then seem mildly put out when I point them at a more learned historian as though I must know everything but discussion is beneath me. Truth is I don’t have a clue about most of it though I do admire some folk. The Marillion chaps are pretty cool, for example, and Will from Virgin is the only bloke I know with his own space ship and ‘Planet Earth’ in his postal address but I’ve no idea where any of them store their lawnmowers!
I was therefore sort of chuffed later when I dropped the kids at home and my two-year-old asked as I turned to leave again,
“Daddy… you go fix Boobird?”
And go fix ‘Boobird’ Daddy did – safe in the knowledge that my kids will never find themselves overawed by a neat stack of tongue and grooved pine boards.
Another cool bloke is our good mate Chris who’s been back for a spot of tin-bashery and hot metal gluing. Regulars will recall that Chris works for a company called Proalloy…
…in a place they call ‘South’. He’s a proper welder so he’s always welcome to pick up the torch.
It’s a hoot in the workshop too whenever he visits North with lots of welding and banter of the most splendidly politically-incorrect variety.
Chris’s mate, ‘Biff’, came up this time too. Biff is a name children are sometimes called in South and he and Novie hit it off immediately and spent the day scrubbing away at chunks of cruddy tin.
One of them went out to get those pink marigolds specially – though we’re not sure which one or, for that matter, why…
Chris, meanwhile, was giving Girl some one to one TIG tuition. Mick the Block has been on for what seems like years doggedly patching the last piece of K7’s floor – the piece that fits under the sloping forward end.
And at last it was all tacked together only awaiting the final welds when Chris turned up and this was especially appropriate because he actually started the work on it in 2008 and was slightly disappointed back then that he’d not get to finish it. Little did he know…
This was like finishing school for Girl who recently received her City & Guilds in aluminium TIG welding and, after a little persuasion, wrote down just what it’s like to become a girlie welder…
*
On arriving at the Bluebird Project workshop early last year, I was asked by Bill if I knew how to file my nails, to which I answered something like, I’m a Girl, of course I can! I was then handed a small file and asked to file down some welds on what later became known as ‘Lyndsey’s Bit’.
‘Lyndsey’s Bit’ is a piece that the canopy sits in.
[See the piece of angle at the back of the cockpit held with the big black pins ...]
It was not always ‘Lyndsey’s Bit’ though. Other names for it like ‘Lyndsey’s Hole’ [Edit: It was actually ‘Lyndsey’s Whole’, so named on the day we welded it back together. We’d cut it in half earlier in the week having discovered it was marginally too wide whereupon it became, ‘Lyndsey’s Bits’. And it’s not entirely our fault that it cracked.] and ‘Lyndsey’s Crack’ are two of the other names it was known by. I’m not saying another word on the matter but those lads at the workshop found it highly amusing.
[Edit: Oh, did we ever!]
After a couple of months “Lyndsey’s Bit” started looking as it should and I started wondering what I could do next. Looking around the workshop and watching the boys all doing their own thing…Rob ardroxing…Mike and his widgets, then Bill hidden away under his welding screen with an aluminium welding rod shooting in all directions poking peoples eyes out when they walked past. I started to wonder if I could have a try under a welding screen. So I asked Bill for a try to which I think he rolled his eyes in disbelief that me, a girl, would want to have a try at doing a mostly male orientated job. Oh would I shock them all later. I took to it straight away…the weld didn’t look like pigeon s**t, fair enough it wasn’t a perfect weld but hey, it was my first turn. I hadn’t mastered the art of an inclusion, where the tungsten gets stuck in the job or a touchdown where the tungsten touches the weld pool, or you fire a welding rod into the tungsten. It’s now such a part and parcel of welding that if either of these happen we will shout ‘touchdown’ and laugh lots at whoever it was that did it. Just one of the silly things that go on in the workshop. There's always lots of fun and banter, if there wasn’t I think we would all go totally mad. We’re all a little mad but then we have to be to be doing what we’re doing.
I was eventually left to do little pieces on the boat and really enjoyed it so I started thinking about taking it a step further so went ahead and started enquiring about going to college to learn the trade properly. The first few phone calls were a bit of a let down, either being told the course has started already for the year so it would be next year, (I’m not the most patient of souls) then told by a local college I was too old as they only took on school leavers (I’m no school leaver but I wouldn’t say I’m old either). So over the water I went to find myself in a college workshop in South Tyneside which was full of those young school leavers I told you about or a load of hairy arse welders. I think they were very shocked when I walked in with my baby steelies, Bluebird overalls, my own screen and gloves. I meant business and although probably whispered about behind welding bay screens I was quickly accepted and respected. They knew right away I wasn’t going to take any rubbish and that I’d give as good as I got were they to start. It was good fun and an experience in itself meeting people from different walks of life. None more different than my own, after all I’m a girl and a mum and I wanted to weld. What could they say? It was very funny the day I was told by one of them jokingly that the weld I’d done wasn’t going to pass the dye-pen test. For those of you who don’t know, a dye-pen test is it’s a 3 phase process for testing the quality of the weld. A red/pink dye is sprayed along the weld then left to penetrate for approximately half an hour then cleaned off with the cleaning solution and finally sprayed with a white talc based developer which pulls out any pink dye left in the not so good weld. The weld would then have to be ground out and done again, then re-tested which can be a very long process. Imagine how long it’s going to take to test our tin boat? We all put a piece in to see how the test was done. Guess what…I passed! He failed!! Haha who’s laughing now?
I seemed to fit in right away and quickly started putting test pieces together, one after the other. Pipe welds, butt welds and fillet welds.
I was beginning to understand the science in welding and to some people this stuff is boring but I enjoy learning so I was like a sponge, soaking the information up. Christmas came and went and I found myself only having 3 weeks left on the course so I stuck in and kept getting those test pieces in to my lecturer. Eventually I had done all the test paper requirements so started practicing other things like welding up holes (which has come in handy on the project) and welding large pieces of pipe.
The 26th of January arrived and it was paper test day. I was panicking as the lecturer was about to ask me a series of questions about gases, welds, and safety issues, etc. and I didn’t think I had a clue. Then 45 minutes later I was done, I’d passed my City and Guilds Level 2 in T.I.G Aluminium Welding. What an achievement that was, I was so pleased with myself. My kids think it’s brilliant that Mummy is working on Bluebird and she can glue things back together. I’ve not felt such a sense of achievement and delight as when I came home to tell my babies, and they were so excited and pleased for me. I love what I’m doing and I love everyone on the Project for having faith in me and keeping me going. Thank guys, you’re all fantastic.
*
Didn’t she do well, as Brucie might have said…
Having worked in industry for many years and seen all kinds of welders I reckon it took real balls, which of course Girl doesn’t have, to get stuck in at the (slightly grotty) local college so she’s well deserving of her ticket.
So having slaved away over a hot welding torch all afternoon with our guests it would’ve been rude not to have had a party later with gallons of lager and a million screaming kids and the rest of BBP lot took no persuading though feeding a few of them anything but rubbish can be fraught. It’s one thing to try and advocate a more gracious living when we gather but, sadly, it’s like reading Shakespeare to the dog…
*
I Nose What I Like
By Mike Bull
On average we’re a poor bunch on the Bluebird Project when it comes to food, as most of us are fairly simple creatures that are quite happy to live on meat and two veg and pasties. (We’re not actually sure what Mick the Block lives on though, as he seems to like no food stuffs whatsoever- I suspect that most nights, he sits down to a plate of ‘Lightly grilled fresh air served on a bed of delicately par-boiled bugger all’)
So often when we socialise together we sit down somewhere posh and look at a menu that seems to be partly written in code; it superficially looks like English to start with, but upon closer inspection it reveals itself to be some kind of weird patois. (And I thought patois was that dog-foody stuff that posh folk spread on their crackers anyway?)
“What’s ‘moderately perturbed sea bass served with hand cut lightly roasted segments of best English potato and seasonal greens?” Rob (for example) would query, and someone else would eventually crack The Patois Code (by Dan Brown, 50p in all good charity shops) and translate that to “It means fish and chips mate”.
“Well why doesn’t it ‘kin say that then…”
Once the whole menu has been translated accordingly, and fish and chips have been decided upon as being the safest option, said dish would be ordered and you sit and eagerly await your meal. A little while later, the food starts to arrive in scenes reminiscent of a 1950’s B movie, with huge flying saucers hovering over our heads. Seriously- these things are casting shadows that are wilting the decorative flowers on the table. But fear not, the aliens haven’t landed- that’ll just be the arrival of our two-foot diameter plates. “Great!” you think, “a huge plate- think of all the dinner I’m going to get!”
Once the saucers have landed however, you gaze down at this massive gleaming white expanse of plate to see, nestled somewhere there in the middle, a tiny cube of food about three inches square. Now, it obviously takes dedication and skill to arrange someone’s food in this way, but why? What exactly was Gordon Worrall-Pierre-White-Oliver hoping to achieve exactly? To create a good impression? Because the first impression I’ve got is that there’s bugger all on my plate…
So there you have it- a teensy piece of fish and three slightly posh-looking chips, and some token greenery. Yours for £17.95, sir.
Why? Why do we pay considerably more money, to be served much less food, in a fancy manner on a massive plate? Now, note that I’m not talking about pure nouvelle cuisine here, and nor am I wanting everywhere to be like a bargain basement chain pub- rather, I’m talking about those establishments that are hovering somewhere in between, serving what should be fairly ordinary everyday food in a manner which they think is clever, but which in fact is just ridiculous and over-priced.
A further example of culinary stupidity for you- at a recent lunch, our Girl ordered a cottage pie which arrived…wait for it…packed tightly into a little glass jar. Now if daft food usually arrives by flying saucer, I can only assume that on this occasion the food had travelled by TARDIS. The jar was one of those small chunky ones with the thick lid held by sprung clips that you’d use for pickling onions or the like and yes, said jar was sat looking sorry for itself in the middle of a massive plate. So not only did poor Girl have to take a lid off to get at her squashed food at all, she was also in need of one of those long knickerbocker glory spoons to be able to get it out.
So here’s a tip for the all the mid-range restaurants- leave the fancy stuff to the big boys, and stop fleecing me for a lot of nothing, especially just because I’m in some tourist trap village or other. We’re a nation that was brought up on meat and two veg and good old fashioned stodge, and while K7 runs of avtur, most of the lads rebuilding her run on pies; or, ‘Slow braised selected cuts of beef with lovingly grilled kidney with a distinctive jus served encased in a delicate golden short crust pastry’, if you prefer.
Talking of munched-up meat products, it’s said that nothing is wasted from a pig except the squeal, and likewise we’re getting better and better in the workshop at reusing all manner of scraps of original Bluebird fabric, and I’ll come to a good example of that in a minute.
Since the cockpit exterior was finished (I’m well proud of my riveting there, even if they are what Rob calls ‘numpty rivets’!) and the cockpit interior is very well advanced also, it was time for me to move on for a change of scenery and having looked and shuddered at what was going on aft of F15- namely, Bill’s months-long battle with the air intakes- rapidly heading in the opposite direction to work on the nose seemed like a good plan. A lot of what we’ve done was covered in the last diary but suffice to say, the nice new nose that was made a few years ago has been hacked about and had some big old warty lumps of original tin let into it and you know what? It’s bloody beautiful!
Bluebird’s nose is an extraordinary thing- you’d think it was a simple rounded snout but it really isn’t, it’s a nightmare of subtleties of shape and metal behaviour that never looks the same twice in the reference materials, and it’s taken a long time to arrive at something we can all sign-off on shape-wise. It’s probably indicative of the complexity of the thing that not one of the drawing suppliers or model kit manufacturers, in any scale, has ever got the nose right.
First we threw away another perfectly good new bit that had been made for the dry-build and instead reinstated this virtually whole original panel at the lower right side of the nose-
Though the nose was redesigned when the front spar was raised, this panel at the side was never altered and is part of the original 1954 build. Consequently it had a long life and as seen here it’s fresh out of the stores with nothing done to it yet, and just look at the myriad holes along it’s top edge; there’s holes where the original flat nose was riveted on, further holes to take stiffening plates, and finally even more holes to take the distinctive row of 2BA screws that run around the whole front of the boat, added when the raised nose was built. Here’s one for you- one future day when the boat is in the museum, take a look at the row of screws around her front. On the left side of the boat (as you sit in it) the screws will be evenly spaced and uniformly positioned- that’s because they’re all drilled into new material and I painstakingly positioned and drilled them. When you get around to the original ones on the right hand side, I had to find and reuse the original holes and they’re up and down and spread out all over the shop. Clearly I must learn to be more slapdash! ‘Advanced engineering, rocketry, what have you…’
Another interesting feature on this side panel is what we take to be the charging point for the breathing air system. In the picture above, it fits into the larger hole towards the top left of the panel. Quite why it’s mounted on the opposite side of the boat and at the front a fair way from where the breathing air regulator lived we’ll never know, but the fitting was there on the right side of the nose for virtually the whole life of the boat- it appears very early on in the reference photos- so with a relatively simple clean up, it was put back where it had come from. Here it is as seen from the inside of the panel-
Aft of these panels live the closing plates that blank off the original spar boxes, left from when the boat was new and her spar was mounted lower down. A pair of these had been roughed out many moons ago for the dry build, but it was time to make a pair of new ones, as sadly one original example never came out of the lake and the other one is languishing in a glass case somewhere courtesy of some short-sighted committee or another.
Also in this shot you can see that the side panel has advanced somewhat- it’s been to Kirkdale for some treatment on the big Eckhold shrinking hammer, the holes have been welded up and dressed back, the joggles redefined and a small repair section has been grafted onto the front. The air charging point is pinned into place, and here’s an interesting one- see the row of four holes running diagonally across the panel? These are left over from early attempts to get the boat to plane, and were blanked off by rivets for most of the boat’s life. Reference shots show a corresponding row of holes on the other side as well, though of course in typicalBluebird fashion they are not symmetrical side for side.
Now, going back to the nose and about those pig’s lips, eyelids and tails- as is sometimes the way when letting an original piece back in, I found myself with a few little scraps left over that had been trimmed from the edges of the main piece, but rather than dropping them into the increasingly abandoned LOOF box I got one of our welders (not the fully qualified one unfortunately, just Bill) to stitch the pieces together to make me another useable piece of tin which I then duly used to create the side of the nose immediately behind the front spar.
You’re looking at the piece behind the spar and below the silver skin pin. It’s still rough and in progress there, but nifty eh? There’s a new bit there too to complete the job but how’s that for recycling? Little off cuts of original nose material back in use, and absolutely nothing wasted – not even the squeal. Or to put it into menu-speak, ‘No loss of original fabric served with a two finger salute and a withering glance at the HL effers’.
*
Mike will be along next month to postulate that we don’t need a Large Hadron Collider to explore the Higgs-Boson particle when he can do a perfectly good job by chucking rocks in his back garden… But it’s always fun to have a rant and I’ve had some great feedback on the speed patronisation farce, and mostly from the cops, of all unlikely sources. It seems plods countrywide are equally unimpressed with wombles driving a wedge between cops and public when they’ve not even seen the sharp end of policing. Then the cops don’t have time to repair the damage because they’ve been forced off the streets to fill in endless paperwork where they’re more likely to contract smallpox than share a risqué joke. Pathetic, isn’t it, but it shows what a diverse audience we have in our little workshop and it’s amazing how often we’re struggling with a particular problem and someone from that exact field will appear on the guestbook or via email to say, I can help you with that. Such is the power of the Internet.
But no one could help with that God-forsaken inlet duct. What on earth was Ken thinking of, designing it like that? Who in their right mind would invent such a diabolical shape in welded slithers of paper thin V-bomber? Though I hugely admire the work of Ken and Lew I still maintain that the inlet duct was a disaster of design and execution and it’s little wonder it failed at every opportunity. We had to do better this time around because I reckon Ken would be well miffed if nothing was learned and no evolution took place.
For that reason the first thing we did was review the materials and choose something that was both less prone to cracking and better able to take a stronger rivet. That settled we set about knocking some shapes out of flat tin.
The original formers had already spent many weeks on specially made tooling bringing them back to shape then the whole lot was built onto another tool that holds them all in their correct relative positions but without the encumbrance of a big tin boat underneath to make the fabrication tricky. The new duct was laid up within it and welded together in sections but the unending problem with welded shapes is that every weld shrinks the material and pulls everything wonky. Now consider this… You weld two pieces of tin together and they pull closer along the line of the weld distorting the job so once it’s cooled you set about the welds with a hammer to stretch the metal back from whence it came. Trouble is, very often the shrink is heavily biased across the weld rather than along its length so, although your hammer work will easily stretch it flat across the weld again, the result is often that the job ends up stretched just as much the other way and it becomes too long along the weld as a result.
This is how it works. Weld the two pieces of tin from top to bottom and the extent of the shrinkage in the horizontal and vertical planes is represented by the size of the red arrows. But hit it with a hammer to stretch the welds and all bets are off because when stretching it again the arrows would all be the same size and now, suddenly, your job is too tall from top to bottom. Now trap the piece in the middle of a compound curve and the problem of maintaining shape as you build can be appreciated. It wasn’t easy, and soon this particular project outgrew the tooling and had to be firmly spannered to the boat to hold in check its more extreme wanderings as the shape developed.
Naturally you’d have to be pretty stupid to place any such structure ahead of a gas turbine without understanding it properly and, apart from the design revisions, this included a comprehensive programme of dye-penetration testing along the length and breadth of every weld…
There then followed many hours of tin-bashery, planishing, polishing, fettling, shrinking, swearing, starting again and a general loss of sanity…
…until, at last…
Thank f@*! for that! There’s still much to do before the Orph’ can suck air through it but that’s the vital part built. The rivet twins will have a field day once it comes back from the paint shop.
While we were about it we also stitched the fuel tank back together. It’s about the only piece of the boat where Ken must’ve said, ‘let’s just make this bit out of ordinary aluminium’ because it’s deliciously soft and can be pushed effortlessly where you want it to go. This, of course, is why it came up looking like a crushed Coke tin having sunk in 40m of water whilst full of air at 1 atmosphere but a bit of a ding with a hammer here and there and it really took shape.
Did we mention that we cut it into a dozen pieces first?
And one of the flutes has finally gone to BettaBlast too. It’s been a long time coming (or should that be going) but it finally went on the roof of the van and away for a coat of paint.
With the duct and the flute out of the way it was time for a little R&R and there’s always a mountain of small things to go at; little pieces that can be wrapped up in a single session unlike the epics that are ducts and flutes.
Below are the strips from under the spray baffles. Take a look at K7 in her final guise and you’ll see these pieces running along the lower edges of the Perspex baffles that kept water out of her engine
Archive picture by kind permission of Neil Sheppard.
See those huge, triangular slabs of Perspex bolted to the sides of the cockpit? Now look at their bottom edge and the accompanying aluminium strips. They were there to contain rubber gaskets either side of the Perspex and stop water getting up into the engine through what would otherwise have been a gap. We got every one of them out of the lake, though they were a little crumply.
Perfect for a relaxing hour with the hammers… one of them needed a new end but that’s about as bad as it got.
A bit of a polish and some tweaking and they were good as new.
Likewise, these bits.
Again, take a look at K7 in her final form and you’ll see these small vents poking out of the top of her engine cover near its forward edge, providing you can drag your eyes away from the pink leopard-skin print, that is…
Archive picture by kind permission of Neil Sheppard. http://www.bluebirdk7.com/
The front of the boat is to the right in this shot so you can see how that little vent faced into the airflow and simply channelled a draught of outside air through bilges awash with kerosene and red hot ironmongery as either a makeshift, ram-air cooling system or ventilation or both. The reason for the pink leopard skin is that they’ve been lovingly cleaned and readied to go back on the boat by young Sophie…
Soph’ is, of course, waaaaay too young to remember Donald and so by the Hapless Lottery Failure’s reckoning she oughtn’t to be interested in what we’re doing so her life must be pretty dull to have her spending her Saturdays with us mending a tin boat.
But all these small widgets are merely a stop gap. Yes, they all have to be cleaned and stored away again for the day they’re needed but what we really want is the big bits going on and soon we’ll have a heap of parts for what we call a, ‘Big Build Saturday’ when much progress will be made and I’m hoping Rob of the rivet twins will keep us all up to speed. Unfortunately, this month’s report is a little Spartan but at least he’s taken the time to explain cricket for us.
Until next month…
*
It has been fairly quiet in the rivet department of late. This is because we are waiting or should I say, were waiting for panels to rivet to the old girl. The waiting is just about over and in the next few weeks Mike and I will be the busiest team in the workshops for many months to come.
Mind you, Mike and I have not stood idle. I have been keeping my de riveting eye in while at the same time getting a taster for what could well be our next project. The Fairey Barracuda. We have had five or six elevator bits delivered to the workshop which I have been stripping down,
To make one complete elevator we need at least nine feet of elevator rod. You have to remember that these parts have been lying in fields and on the sides of mountains getting on for sixty years so the weather has done them no favours. Its only when I get the skins off and asses the amount of corrosion in the rod can we see how much is likely to be saved and go back into the rebuild. Up till now I have managed to strip four sections down to the bare bones and have ended up with about six foot of original usable material, we may struggle unless more parts appear from somewhere. The panels and hinges however are a different story, with a bit of fettling we have enough already for what we need. People have asked me if we intend to fly it when it’s finished in the same way we intend to run the boat. My answer to them is, “The bugger couldn’t fly when it was new so what chance do we have?”
Meanwhile, Mike has been working on his favourite project, making patches for the front corrugated floor section. Bloody good job he has made of it too. Good news is that he has now had his last patch welded in and it is just about ready to go back on.
You may have spotted Bill, Mike and myself on pic of the day looking up at the pointy end. You will also notice the inner floor has a multitude of skin pins in it, The problem we have is if we remove those pins, which is a must to get the next skins on, would that hold to the frame despite having gallons of choccie sauce holding it?
Rather than take the chance we came up with a plan. Drill and countersink between the original rivet holes, Secure the panel with countersunk rivets then remove the skin pins. We still have the original rivet holes to attach Mike’s corrugation and the outer floor too without compromising the secure fixing of the inner floor.
While all of this was going on, Bill has also announced that the long awaited air intakes are just about right and Mike Bull has been busy this week drilling the holes for the starboard flute. I have been assured that a few tweaks on each of these, a quick trip to the paint shop, then these will be passed on to the rivet team for final fixing.
We apologise if things have seemed a bit slow of late but if all goes to plan there should be a lot more boat to talk about next diary.
And finally…
Aaaahh, the hot, sweaty atmosphere, the smell of linseed oil, the sound of willow hitting leather. Anyway enough of my rivet-mate Mike Ramsey’s private life I’m here to talk about cricket.
Yes it’s nearing that time of year when the sportsmen who wear shorts and T shirts and chase a ball through the winter months make way for the summer sportsmen clad in long trousers and thick woolly jumpers. That’s right, it’s the cricket season.
Where do we start?
If you happen to be an insomniac then try watching this game. Instant cure.
Of all the ball chasing sports this has to be the oddest, one game can last for days or even weeks. No matter, I will endeavour to explain the principles of the game to the less initiated.
As in football you have one team against another, that’s where the similarity ends.
You have one team that is in and the other team is out, the team that is out have to try and get the team that is in, out. This is where cricket sticks come in. there are two sets of three cricket sticks twenty two yards apart known as wickets or stumps each with two smaller sticks balanced on top known as bails. The man who is in has a cricket stick which is narrow at the top and broader at the bottom called a bat. One man with a bat stands in front of a set of three sticks each, while one of the men who is out throws a very hard ball at one of them very fast. His object is to hit the man’s middle stump and knock his bails off. I said bails, Mike, they wear a proper box to stop that happening, while the man with the bat has to hit the ball as far as he can.
Once the team who are out get the team that are in, out they then go in and the team who were in but are now out have to get the team that were out but are now in out, when they get the team who were out but are now in out they go in again, so the team that were out then went in but are now out again have to get the team that were in then went out but are now back in out again. Hope you are following so far. So we now have a team who have been in, out, and in again, and a team that has been out, in, and out again. (Even I am losing track and I’m the expert) The team that were out then went in but are now back out again have to get the team that were in then went out but are now back in again out so they can go back in. Zzzzzzzzzzzz. Sorry nodded off. Now the team that started off in went out then in and out again have to get the team that were out, went in, were out again but now are in out. That’s the end off the game.
FAQ
So how do you get out?
If the man chucking the ball knocks your bails off you’re out.
If the ball hits your leg and the team who are out shouts HOWZAT very loudly you’re out.
If you manage to hit the ball and someone who is out catches it you’re out.
Or, if you’re halfway through changing ends with your mate and one of the out team knock your bails off, your out. This is known as ‘being stumped’
Now you might think that when one of the above happens you would have to go and join the out team. This is not the case because you’re technically still in. You merely retire to the pavilion for tea and cucumber sandwiches and only when ten of the in team are out are you officially out and the out team then goes in.
Do you score goals?
No, if the man with the bat hits the ball far enough he changes places with the man at the other end. This is called a run and whoever has changed places with his mate at the other end the most after what seems an eternity wins the match. The winners celebrate by having tea and cucumber sandwiches while the losers drown their sorrows in tea and cucumber sandwiches
Do they have Half time?
No. They stop for tea which consists of tea and cucumber sandwiches.
Can this sport be seen on television?
Yes but mainly if it is broadcast from overseas. If its being played in England you’re more likely to be greeted with an old episode of Randal And Hopkirk deceased as rain will have stopped play. Most people prefer to watch this anyway.
Have England got a good team?
Not really, got beat off Ireland who no one knew had a team till last week.
Have any old sayings originated from this game?
Good question and the answer is yes.
Posh people sometimes can be heard saying. “Oh I say old boy, that just isn’t cricket.
As cricket is only played by gentlemen this translates as ungentlemanly conduct
Being stuck for an answer or ‘stumped’ comes from a cricketer being stumped out and wondering why he tried to make a run when he knew he hadn’t hit the ball hard enough.
On a sticky wicket. This is a fairly recent one which actually derives from my first wedding in 1973. We had booked the local cricket club for the reception and some people had far too much to drink so went outside on the grass to chuck up. Unfortunately this was the bit off grass where the wicket was to go for the following mornings game. The man that had to stand there was known as being on the “sicky” wicket. Over the years this was evolved into the word sticky wicket through translation. Now used worldwide, to be on a sticky wicket, or to be in an unpleasant or awkward position.
Well folks that’s cricket summed up, hope you all have a better understanding of the game now.
Join me next time when I will try and explain the purpose of another pointless sport.